Hello again, lampwork and glass enthusiasts! I thought it was a good time to share an update on my glass studio setup. Around a year ago, I moved to beautiful Sooke, BC, and have been slowly establishing my new studio space since then. It’s in a shed outside my house, which I had wired to accommodate my kiln, oxygen concentrator, computer, mini fridge, and lighting.
My Torch & Kiln Setup I use a Nortel Minor torch that I have had since 2004. I’ve only had it serviced once when I accidentally dropped a blob of melted glass over the ports. It’s been a fantastic little work horse! I do “clean” the ports myself occasionally by sticking a pin down them to remove any built up carbon, but that’s about it. The Minor runs a surface mix of oxygen and propane, and you can use an oxygen tank or a concentrator. I have small barbeque sized tank of propane outside my shed, and an oxygen concentrator which I purchased refurbished many years ago, and it’s been great too, no issues. My kiln is an AIM Kiln with a bead door and a Barlett 3-key controller. I’ve had to replace the relay I think twice since 2004.
Glass and Tool Storage
I store my glass rods in a Soda Stream display case of all things. I found it at a second hand shop and it was perfect for my needs! I have a large collection of glass that I’ve accumulated over the years. The majority of my glass is Moretti/Effetre, and I also use some of the Vetrofond Odd lots, and Creation is Messy for more specialty colours. I have a bit of Lauscha and Double Helix, and I use Kugler clear almost exclusively now, especially for encasing. I use a lot of frit in my work, and pretty much exclusively Val Cox is my vendor for this. I store my frits in plastic containers from the dollar store, and keep them organized on shelves above my work station. I also have some CG bead rollers, presses from Zoozii’s, and keep a bowl of water on my work table. I should mention too that my work table is an old table that was my grandpa’s and has a bit of sentimental value. It’s come with me through many iterations of my studio, from my parents’ basement to a garage at my first house, to a room in my parents’ house, to a basement in my next home, to another garage, to here!
Lighting
It’s lovely and light in the spring and summer when I can open the door to my shed, and I do have windows for natural light too, but in the winter it’s a bit dark. I have a little clip on lamp that helps immensely.
Ventilation
Proper ventilation is extremely important when working with glass, due to the metals in the glass that can be hazardous, and also because the flame sucks up the oxygen in the air. My dad built my ventilation system so I can’t speak to exactly what went into it, but I’ll share some photos.
Safety
I do not have heat in the shed, and I set my puffy coat slightly ablaze during one session this past winter. (I was not injured although my coat was). It is not recommended to wear flammable clothing while working, and not recommended to reach across an open flame for something you need. I plan to get a small heater at some point although the shed is not insulated, so it might not help a lot. I also make sure that I have everything readily accessible for a session before lighting my torch and am extremely mindful that the hot area of the flame might be larger than it looks. I keep a fire extinguisher handy. I also wear special didymium glasses which help me to see into the flame while I’m working (they block the sodium flare from the glass), and they protect my eyes from flying glass too.
Thank you again for stopping by and “visiting” my studio today! Visit me on Etsy to see my work.